My top 5 lessons

I was one of the lucky ones. I had music teachers very early on, and grew up in the home of a music educator who was also a very high calibre performer herself. Those music teachers taught me the importance of learning well for public performance, and here are a few of the favorites.

Lesson #1 – Take small bites.

Don’t try to manage too much at once. Assess and accept, and keep working patiently.

Lesson #2 – Get it Right.

Ability is often determined in the practice room. Be willing to practice until it can only come out right.

Lesson #3 – Be efficient and adaptable.

Yeah, that might count as two, but they are related and worth putting together. If a struggle is encountered, then figure out how to learn it as well and as quickly as possible. Make a game of it, work it into the muscle memory, and eliminate doubt.

Lesson #4 – Trust

Trust in the preparation.

Lesson #5 – Don’t sweat the small stuff. 

The more amplified the success and failure, the harder life is. Sometimes, for whatever reason, performance can be better or worse than usual. Cool it, it’s all small.

In Memoriam I – Leonard Cohen

It was a shit year for our musical gods. Seriously. It almost couldn’t have gotten worse (hey 2017 that is not an invitation, its time to slow down!) when we lost Boulez and Bowie, but we thought the year was bad enough, but then we lost Prince and Rautavaara, and the rout (see what I did there?) was on. We even lost Merle Haggard, and he was tough as nails, a human grizzly bear. I’ve seen sidewalks that looked healthier than him and he just kept on going.

It was a shit year. We lost Sharon Jones, Leon Russell, and Keith Emerson. Hell, we even lost someone from Mott the Hoople. Just a dirty, dirty Donald Trump won the presidency kind of year.

So in an effort to commemorate a few of these legends before this year (which can go straight to hell) lurches to its own untimely death, may I present Leonard Cohen to you? Here are what I think are  his 12 best songs. If you disagree with my choices – let me know. Yes – Hallelujah is not on my list. Its a great song, but not a top 12 song in the Leonard Cohen songbook.

Why are there 12 songs? I challenge you to eliminate any one of these songs from your top 10 list. Just go ahead and try. Each one is a sculpted gem as close to perfect as you can get.

And it is so hard to get down to 10 songs. I could just choose either the I’m your man, or The Future albums. But it feels like that ignores the early and late work that were so fantastic in their own ways. Especially Ten New Songs, which was such an amazing offering.

So here is the playlist. Let me know what you think.

 

 

 

 

 

 

 

Montreal – part 2

In my tenth year living in Montreal, I received an unexpected and unintended gift. I had been singing for just over a year at St. Matthias when I subbed for my boss as a conductor over the Christmas break. I was skeptical, dubiously so, but also very willing. Why on earth he would choose me was totally immaterial – I loved conducting and was happy to say yes. I think it was just for the week including Epiphany Sunday. We sang the Malcolm Missa ad Praesepe (lovely music) and Goldschmidt (less lovely). The Sunday came and went and I expected him back like everyone else.

It came as a surprise when his entry back into Canada was refused due to issues with paperwork. The church asked me to stick around for a few more weeks and those few weeks turned into his self-destructive resignation and a few more months of interim work. Then suddenly, and without a search, I was appointed the Director of Music. It turned out that my three-month stint had convinced them not to audition.

Now, that was a surprise too. I had been a singer for a decade, and I felt a bit unprepared to take on something like St. Matthias. I was not alone in that assessment – plenty of musicians in town (especially organists) felt the same way and made sure everyone knew it – a few organists even went so far as to offer their services assuming that I was a lame duck. That was the perfect experience for me – a scenario where I had to prove myself time and again, which is exactly what you want if you are a musician. I love proving myself.

There were many days where I felt completely out of my depth. I had a good background and good training, but I had no leadership skills. So, I rolled up my sleeves and told myself I would learn how to do this no matter what, and I did. I still do. I learned from others and learned from experience and I’m never shy about trying to improve in any way I can and in my own way. Being an artist is mostly a commitment to respecting what is unique about you. You must never, ever, give that up. After that, try to choose a medium that you have natural inclinations for.

I’ve certainly had my share of successes in the past 10 years. More than a few failures too. But what I’ve noticed most recently is this : Where many see successes I see room for improvement. That is a good sign. I’m super critical of my work, but I think I’m looking at myself through a different lens today. A healthy, but self-critical lens.

I’ve done and learned far too much at St. Matthias to be able to write it all down. It has nurtured my abilities and kept me pushing myself forward into unknown territory. And that is just the professional side. My personal side is just as important here. Where did I meet my wife? Make most of my friends? Where are my children baptized? All of it happened right here. I was very lucky the congregation and choir was full of genuinely good people who were patient with me while I found my way.

This year we did the Duruflé Requiem with organ and strings. It is not an easy score – fraught with difficult transitions and difficult harmonies – and I spent many an hour fretting over it. By the time of the performance, I was so immersed in the music and was getting such wonderful results from the ensemble that I fell into unity with the music and came out of it just at the end. I remember almost nothing about that performance – the music had reached such a rush within me that I lost all thought, the music simply flowed through me and I was a part of the flow. An embodiment. That night I knew I had learned what I had been at St. Matthias to learn. I’m very grateful to William Blizzard and the rest of the corporation of that time for choosing me. It made such a difference to my life. I’m very glad that William was there to hear the Duruflé. I’m so grateful to this church for helping me get there.

Sunday is the last hurrah for me as Director of Music here. I’m very grateful to my many friends and family who supported me over the past decade. It was an extraordinary experience. Tonight is our last Thursday night rehearsal together. There is a matins at 10:30, a little concert and wine sampling at 3, and then…

Then – who knows? Into the unknown. After 10 years this chapter has been well read. Time to write something new. Something wonderful is waiting around the corner.